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Chris had the most passionate, focused, dimensional, whole construct I’ve ever heard from anybody.ĬARTER Danielle and Bob didn’t say yes to the first pitch. The X-Files was the first pitch from my first season. We told everybody who came in the door that we knew we were the last stop on the train. We were reluctant to develop it because we didn’t have any other drama like it and weren’t in the market for sci-fi.ĭANIELLE GELBER (former director of drama development, Fox) Fox was still being called “the coat-hanger network” by Brandon Tartikoff. We thought he was going to pitch a family or teenage soap, so we were surprised when he brought us high-concept science fiction. It said that 10 percent of Americans believed they had contact with, been abducted by or believed in extraterrestrials.īOB GREENBLATT (former executive vp primetime programming, Fox) We had a blind deal with Chris. It was partly inspired by the shows of my youth, The Twilight Zone and Night Gallery, but I had recently come upon a scientific survey done by Dr. We were both interested in something in the vein of Kolchak: The Night Stalker, and I already had an idea.
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And be again.Ī comedy writer, best known for Disney telepics, pitches a drama about aliens and government conspiracy to a group of rising execs at an afterthought network.ĬHRIS CARTER (creator) I was hired by Peter Roth to develop TV shows when he moved to 20th. 24), the people most responsible for the enduring franchise sound off - for the first time in the same place - about how the show came to be. But as Fox readies a six-episode revival (starting Jan. The X-Files‘ complicated mythology, both real and scripted, makes its history the source of endless pop-culture autopsies. 'The X-Files': 21-Minute Feature Offers Look Inside the Revival